The Healer and the Pirate

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Wednesday, January 19, 2011

Why Write for Publication?

Writing progress report: I have another chapter of Flight from Endwood up for critique (33!). 34 has been kind of sort of written, and I think I just have one more chapter to go!

And, last weekend I found an Alphonse Mucha calendar (no nudity even). His art is just the type of art I want to see on the cover of my (eventual) next novel, so it seems very appropriate.

Last week I talked about why I write, and I promised I'd answer the question, why write for (traditional) publication?

Writing for publication is not the only way to get your work out there. If you give your writing away for free on the Internet, you just might end up with more readers than if a big publisher had your book. (That works well for webcomics; I don't know about novels.) If you sell your book for a small fee on Kindle, you have a potential to make thousands and reach tens of thousands of readers. Even if you want a book to hold in your hands (and e-books may make those a bit obsolete), there are several ways to accomplish that, with and without going through a traditional publisher.

I'll try to sum up some of the different means of publication as quickly as possible:

*Vanity press = more or less, the author pays someone to print his or her book

*Print on demand = the author uploads his or her book to a site like Lulu.com . When someone orders a copy of the book, the publisher prints a copy just for that person; the author gets a percentage of each purchase of the book, based on how he or she priced the book.

*E-books = like print on demand, minus the print aspect. When someone orders a copy of the e-book, they get it delivered digitally, and the author gets a percentage of each purchase of the e-book, again, based on how he or she priced the book.

*Traditional press = may or may not pay an advance to the author. Author probably gets a percentage of the sales (provided that amount exceeds the advance). An editor probably looks at the book and suggests revisions before it is printed. Small presses might use print on demand or e-book technology, as referenced above, but in this case the press will determine pricing and the author's share of any profits.


I bring all these options up because it was just a couple years ago that I discovered that to most people who don't write, a book is a book. They don't know or care how it was published. From interactions I've seen online and in person, a lot of people consider a print-on-demand book to be about the same thing as one printed by a small press, and maybe even as good as something from Random House. They seem to see it as, you have a book with your name on it! You're an author! I have a copy of a book that I got printed through Lulu.com just for fun and yes, most people I've shown it to are wowed that I wrote a book and am "published." I duly explain that no, I just got this printed out, but I'm still not convinced that they grasp the difference.

Writers, on the other hand, will often argue that you need to be accepted by a publisher in order to really be an author. It can be very hard to get published traditionally. Publishers have very narrow definitions of what they will accept, and finding a publisher can literally take years. They may request substantial edits to the manuscript, some of which the author may not agree with. Small-press publishers can have significant overhead as well, meaning that a book you could have sold for a good profit at $9 a copy, they might need to sell for $12 a copy, which can reduce sales, while still delivering smaller profits to you personally. Publishers on all levels still expect the author to do a lot of the work of promoting the book; many publishers do little or no marketing of their authors' novels anymore. I've also heard it said that publishers really want you to submit a near-ready-for-press novel; they're supposedly not even interested in editing anymore! (An editor I saw at the Tuccon Festival of Books disagreed, but he did seem old-school (and wonderful!).)

And if you're a Christian author writing anything besides category romances like Heartsong Presents or Steeple Hill Love Inspired, many big publishers won't even look at your book unless you have an agent. Meanwhile, it's very difficult to land an agent if you haven't been published.

On the other hand, quite a few people have had success selling their novels as eBooks on Kindle, for instance, with no particular publisher. When I say success, I mean I've heard of people selling thousands in a month. One person on the critique site I frequent (Critiquecircle.com) says she has sold over 20,000 copies of one book.

I'm sure those successful e-book writers generally work very hard to achieve those numbers, and I think these people often sell their books at a low price. But even if you make 35 cents profit on 20,000 books (which I understand is the norm for a low-priced book), that's $7,000, which is more than a lot (most?) authors get from publishing with a small press, and about the size of some advances. Meanwhile, I've seen small presses that offer advances of $10 and consider 300 books sold a success.


So, with all that in mind, why write for traditional publication?

I think the main motivation for being traditionally published for most people is probably validation and respect from one's peers and from some third party authority. I imagine it would be an incredible self-esteem boost to have a publisher accept your work. And fellow authors and authors' groups usually (not always!) consider self-published authors to be the same as amateur or unpublished authors. It can be hard for self-published authors to find promotion opportunities. And of course the (few) famous authors you hear of are all (eventually) traditionally published. There's something to it.

When it comes down to it, very few novelists make a full-time living on their writing, regardless of whether they're traditionally published or self-published. One (of many) reasons I don't play the lottery is because I'd much rather be blessed by becoming a rich novelist than just winning the same amount of money...and the odds of winning the lottery are a bit better than being a rich novelist, I think. So it's probably a matter of putting your book where God wants it to be, and not so much getting rich.

I'm not sure what God wants me to do with my writing right now; I only have one (co-authored) manuscript that's near the stage of being ready to go out, and it's not quite there, so I haven't worried too much.

But barring any specific guidance, the plan is to start with the biggest publisher that will accept Christian fantasy romance, and work our way down the (small) list, until someone accepts it or we end up self-publishing. I believe in our novel and I think God wants us to get it out to people. But I think a publication credit would be good for my co-author and me both.

All that said, I'm most likely going to do some experimentation on self-publishing with a novel that has 8 chapters on my personal website.

Wow; that's a lot of words. What do you think about publishing? I think I need to ask God for some more guidance.

Tuesday, January 18, 2011

Rage Fest 2011 Memories

Tuesday bonus! Here are some things I remember about bands that I won't be writing full articles about.


The Kings Divide were on the far-away Carousel Stage, quite a distance from the main grounds (but near the roller coaster!). So they had a huge sign that they had had folks and/or they themselves lugged around the festival grounds. A for effort!


We meandered over there and then got some food. I'd wanted pizza all day but something didn't sound quite right...


So I got "gyros" instead. If gyros have chopped up onions and ranch dressing.


Spoken played three of my favorite songs of theirs ("Wind in My Sails," "September," "Promise"). During "Promise," however, Matt saw everyone singing along and held out the microphone to the audience. There wasn't much sound. He was shocked and said everyone was lip-synching, and that people would be talking about it forever! I wasn't lip-synching, but I was near the back and I wasn't singing loud.

During the EXTENDED sound check for Superchick, instead of saying "check, check," singer/guitarist Melissa sang, "Straight up, now tell me, do you really wanna love me forever" and the audience sang, "Whoa-oh-oh" back for her. The whole chorus proceeded in such a manner. (They also cited what I believe is an urban legend, that the parking lot scene in Back to the Future was filmed at MetroCenter mall. I'm pretty sure that's wrong, though MetroCenter did have Bill and Ted's Excellent Adventure. Regardless, MetroCenter has seen better days...)

And The Wedding's lead singer loved getting in the crowd. Yeah, that face out there? That's him.




He also called for circle pits. It was actually very, very funny to watch most of the crowd scamper to the edges whenever they called for a circle pit!

Sanctus Real had fun hijacking a fan's camera. This footage from another (bigger) concert about 9 months prior must be something like the fan had when she or he got home:



They also had a very nice song about the life of a small band, touring.

At his service, Pastor Dave talked about how the reason Jesus died was so that we could have a relationship with God, not just a fire insurance policy. I've come to understand that over the years, but a lot of the young people present (probably 30-40%) came forward at the invitation to promise to work on that relationship, etc. Good to see.

And the first band we saw, Hyland, had a good sound and a great stage presence, with amusing banter. They noted that how Phoenix said "hello" to them was by someone breaking into their van and taking their iPods and GPS. O_O (I apologize on behalf of Phoenix!) Also, something along the lines of, "How many of you are wearing sunglasses? 60%? You know what they're wearing in Minnesota? SNOWSHOES. And they're fighting polar bears." Good stuff. They recently got signed by Tooth and Nail Records...here's hoping Air1 picks them up.

And here's a lousy video I took, a.k.a. Hyland tries to teach Julie how to use the video camera in her camera. Apologies for the video, sound, and otherwise horrid quality!



Monday, January 17, 2011

Rage Fest Christian Music Festival Phoenix Arizona 2011

EDIT:  If you're looking for info on Rage Fest 2012, check the Extreme Faith Productions site!

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If anything here sounds a bit incoherent, sorry; I got hit in the head by a water bottle less than 12 hours before writing this!

So every year for I don't even know how many years (someone onstage referenced attending in 2003), Extreme Faith Productions has put on a Christian music event known as Rage or Rage Fest. It's two (or one year, three) days of Christian music in a parking lot for Castles and Coasters, which is Arizona's only small-scale (or any scale) park with a looping roller coaster, plus more rides and mini golf. This year, $50 got you in both days to see 50 bands, they said (cheaper prices for one-day admissions). Hours are more or less 10 AM - 10:30 PM, with a church service on Sunday morning. Every previous year I'd been to, it was at Castles and Coasters' main parking lot, with one main stage on one side and a somewhat smaller stage on the other side, (they generally have 2 acts on the main stage, then 2 on the side stage, then 2 on the main stage again, with no overlap), and a side stage by the carousel inside the park itself.

Band lineup from the Extreme Faith webpage for this year:
Band Line-up

Saturday, Jan 15:
8:45 PM - Thousand Foot Krutch
7:15 PM -Disciple
6:25 PM - Project 86
5:35 PM - Flatfoot 56
4:45 PM - Decyfer Down
3:55 PM - Manafest
3:05 PM - The Letter Black
2:20 PM - Ivoryline
1:30 PM - Spoken
12:45 PM - Write This Down
12:05 PM - Sent By Ravens
11:20 AM - I Am Empire
10:40 AM - Hyland
10:05 AM - I Am We

Sunday, Jan 16:
8:00 PM - Sanctus Real
6:30 PM - Superchick
5:45 PM - Flatfoot 56
4:55 PM - Manafest
4:10 PM - Abandon
3:20 PM - The Red Airplanes
2:35 PM - The Wedding
1:55 PM - Me In Motion
1:15 PM - Children 18:3
12:35 PM - Philmont
12:00 PM - White As Wool
11:30 AM - A Rotterdam November
10:30 AM - Church Service

Bands Appearing on Community Stage:

Saturday:

Rate of Change
Spiritled
Elegy
Twice As Deep
Ryan Romeo
Ruwa
Frizzell
"Suddenly"
Jeff DeKnegt
Heavenswill Band
SLEEPLESSOULJAZ
Rachel O.
Adriane Blanco Band
Healed Blind Eye
The Kings Divide
Exceptions

Sunday:

Katelyn From Havasu
Lacy Brooks
Jeff DeKnegt
Lybecker
All Eyes on Israel
Smiling Up
Truth Be Told
"Suddenly"
Ryan Romeo


This year, it was in Castles and Coasters' side parking lot, which on the map looks more or less the same size, but the lot is laid out differently.

Old location is by the "A"; new one is the lower left-hand corner of the image.

Plus this year, there was a food stand with a grill like you'd see at a carnival, and a fourth stage in-between the main and side stages. So it certainly felt more crowded, and louder!

Hope you like meat.

This year they made it clear on the website that you could bring your own camping chairs to set behind the chair line, and also bring outside food in coolers. However, they didn't plan the chair lines for the main stage (where the big-named bands played), so they set up a chair line on Saturday and then had to move it back significantly, creating a tiny area for chairs, and making most people relocate their chairs to beside the smaller stage.

Merch tables in the background

Air1 sponsors one of the stages and has a big presence there, but a lot of the bands at RAGE play hard rock music that Air1 won't play.

So if you're just an Air1 fan, you might not like the music, or may even fear for your life, depending on which artists you see (and how fearful you are). It's very common for artists to empty out water bottles on the audience, and/or throw partly-filled bottles into the crowd. Moshing isn't allowed, but people push each other around (lovingly). I accidentally wound up in that "pushing" area during a concert by Red several years ago. Very uncomfortable, I just went limp. Fortunately, going limp, I just bounced my way out like a pinball. It was pretty funny. Other bands do "circle pits" where you basically run around the crowd. If you hear the words "circle pit" and you aren't wanting to run around, I suggest you back away from the center VERY quickly, like people did during The Wedding's show. If you were already dead center, get behind a security guy (if one is there; most of them are built like refrigerators) and you should be OK.

And if you do get in a circle pit and lose a shoe, someone in the middle will pick it up and hold it up until you claim it. :)

Then again, I saw a lot more older (i.e. older than me) people rocking out this year, even jumping when told to jump, and so forth.

So here are the essentials I think everyone needs for RAGE:

Before RAGE:

PRAY - That's the biggest thing. I prayed several times in the days leading to the festival, that the bands would put Jesus first and that I'd really hear from God. To be honest, a lot of the bands' songs aren't specifically Christian (not bad, but not worship songs, and some really aren't related to God at all as far as I can see). But I did hear a lot more artists talking about God, and their words spoke to me more, this year versus the year prior. I don't know if prayer changed the artists' speech, what bands I saw, or what I noticed--probably all three. But it made a huge difference for me.

SUNSCREEN - The sun is BRUTAL. Wear sunscreen if you don't want to turn into a raisin. I wore SPF 100, water/sweatproof, etc. both days, and I'm still a touch pink today. Ideally, you should reapply your sunscreen at least once, but just wearing some in the first place is a good start.

DEODORANT - I've never noticed a problem with anyone else on this front, but again, the sun is brutal. Most bands also encourage people to not only clap, but also to jump, wave their arms, and sometimes form an aforementioned "circle pit" or run in straight lines, etc. Yes, I have video I may share later, LOL.

BRING:

EARPLUGS - I don't see how anyone gets through the concert without earplugs. It is LOUD. I am not the kind of person that says you have to take perfect care of your body (no matter what you do, your body is going to eventually give out on you). But there's no reason to experience premature hearing loss. If you bring your little kids, absolutely make sure they have earplugs themselves.

WATER - See the sun and deodorant entries. Don't get dehydrated! This year they also sold water for $1.00 a bottle, which was reasonable...but since you can buy 24 bottles at Fry's for $3.69 or less, you might want to plan accordingly.

HAND SANITIZER - With RAGE across the street from Castles and Coasters (and its flush toilets), the portable toilets were almost unavoidable. Might not be amiss to bring some toilet paper either. Just saying.

COAT - It gets cold in the desert at night. Sometimes during the day, too! It must have been January 13-14, 2007 when the highs on Saturday and Sunday were 49 and 46 respectively...I still remember Joy Williams' improvised song about Arizona. Something like "You lied to me, Arizona; I should've worn my ski boots." Anyway, leave your coat in your vehicle, or leave it on your chair (if you have one). But don't be one of those people in a short-sleeved T-shirt, shivering all night. I get cold just looking at them!

MONEY - Support the bands by buying their CDs and other merchandise. Also buy food if needed.

OPTIONAL - You can bring a camping chair--those are great for just lounging around between acts, as it's hard to stand for 12 hours straight. Check the policy in 2012, but in 2011 you could bring food in coolers if you wanted. Bring a camera if you want to take pictures; it's definitely allowed.

Also bring a Christ-like attitude. I overheard some people who...did not have one...and it was very discouraging, to hear such words coming out of Christians' mouths. (And they were professed Christians, since they (eventually) said "hate the sin, love the sinner.")

Meanwhile, one year my friend and I visited Waldenbooks in MetroCenter (back before it closed) and they knew we were there because of the festival, even though our wristbands were hidden. Granted, it was probably mostly because we were dressed a little unusually (nothing I haven't worn elsewhere, though), or just the fact that the mall suddenly had customers...but you never know. A smile can do some good, and the last thing we want is for people to think poorly of Christians because of how we treat others or how we speak.

Make sure you meet the bands! I don't know if secular bands are so friendly, but it's usually easy to get an autograph from Christian bands (bring a Sharpie to be safe). The bigger acts will be in a signing tent; the smaller ones are often found by their merchandise tables. Or just stop by and say "hi" or "thanks for coming." I'm VERY shy to talk to bands (I feel like I'm interrupting or pestering them) but they always seem happy to be thanked and it's a blessing to me to shake hands with them.

And, always keep your head up. Bands and the people on stage before bands like to throw things at people. Nathan of The Red Airplanes stated that he wasn't going to leave the stage until everyone was hydrated. So he threw most of the bands' case of water bottles (individually, but FULL) into the crowd. While I was looking down at a kid who was picking up one that had hit near me, one nailed me right in the forehead! I think it gave a little, because it didn't really hurt much, though I was pretty stunned. It's funny; I think it was Beth Moore (and surely others) who said that God may give you the thing you're most afraid of, so that you won't fear it any more. When I saw the half-filled water bottles go into the crowd, I always was a little concerned that if one hit me upside the head, it would really hurt. Well, I got a FULL one upside the head and am OK! And, suddenly not particularly worried about getting hit by a half-full one.

(The Red Airplanes are an awesome band; I've got no problem with them, and will write them up once their new CD release date is closer.)

So anyway, stay alert!

If you have any questions about the festival, let me know. I'll write more about a few of the bands on future Mondays for a while. See you then!

Friday, January 14, 2011

Flashback Friday - Things Never Change - January 14, 1921

You know something awesome? The days of the week in 1921 correspond perfectly to 2011. So January 14, 1921 was a Friday too. Neat, huh? Except Easter was in March in 1921. (Still on a Sunday, though. ;) )

Speaking of things not changing, check out these stories published January 15, 1921 (occurred January 14):

This unbalanced, armed man reminded me of the horrible shootings in Tucson.
KILLS MAN HE FEARED AS EVIL INFLUENCE

Montreal Major Shoots Broker He Says Held Him Under a Spell.

FELT CONTROL FOR YEARS

Strange Story Vouched For by Priests, Relatives and Friends of the Soldier....--New York Times, January 15, 1921

Mayor Bob Griffith in Montreal was sure a man, Bill Holland, put an "evil influence" over him, so he shot him.



Hit-and-runs are nothing new.

AUTOS KILL 2 WOMEN THEN SPEED AWAY...--New York Times, January 15, 1921

Two different women were killed by black limousines that didn't stop!

Arson existed, though it's my understanding that we no longer dynamite buildings to create firebreaks:

FIFTEEN BUILDINGS BURNED.

Clearfield, Pa. Suffers Heavily From Supposed Firebugs....

--New York Times, January 15, 1921


Five fire companies were summoned to fight a fire that destroyed 15 buildings, including the buildings for the Madera Times, two movie theaters, and the Hileman Hotel.

And don't forget speculating on commodities.

DEFEND GRAIN SPECULATION
Chicago Board of Trade Representatives and Cornell Professor Heard..

--New York Times, January 15, 1921

Joseph P. Griffin, President of the Chicago Board of Trade, says "Exchanges cannot function without speculation" and that hedging helps the public.


*All articles believed to be in the public domain per US law.